How to Create a Dance Reel

Hello loves! Today is day 25 (maybe?) of quarantine for me, and as I sit here and work on my application materials for graduate school, I realized I had to update my dance reel. Since interviews and auditions are now going to be virtual, I may be able to have my digital audition waived if I send them my updated dance reel. That being said, I haven’t touched my dance reel since late 2017 or early 2018. Two years has brought with it a ton of performance opportunity, rehearsal, and corresponding footage to add to my reel.

My brother used to have Adobe Premier Pro, which I used to create my dance reel the first few times in 2016 and 2017. If you have access to Adobe Premier Pro, I HIGHLY suggest you use that software. It is one of the best video editing softwares I’ve ever used. However, any software that can handle large files will do. Your reel doesn’t need a lot of effects or complicated edits.

Right now, my brother only has access to Adobe Premier Rush, which is a basic editing version of Premiere Pro. As I adjust to using a not-as-fancy software, I wanted to share with you that you can still use basic softwares to create a professional reel.

Bound” Borne Dance Company
The Secret Theater NYC

Here are my tips for creating a kick-ass dance reel!

  1. Choose a theme for your reel. If you need a reel for a teaching position, you want the reel to include class videos of you instructing, your choreography, you demonstrating in class, and giving students corrections. If you need a reel to audition for a role on Broadway, you want to showcase your more commercial styles of dance – jazz, tap, theater – and maybe include footage of you dancing in dance heels or other footwear you might be expected to wear if you were to land the gig. If you are a contemporary dancer and want to audition for a contemporary group, you would want to include footage of you dancing modern/contemporary styles, some improvisation footage, and maybe partnering. You can make multiple reels, and a lot of dancers do this to keep them all separate and concise. Determine your desired job, and then create from there.
  2. Access decent video editing software. As mentioned above, you don’t need software with a bunch of fancy tools. Adobe Premier Pro is wonderful because you can add arrows to your clips to indicate where you are on stage if the footage is of you in a group. With Adobe Premiere Rush, I am not able to add arrows. But instead, I chose clips where I am clearly in the shot and that is clear I am the person dancing. I also can add titles to the clip to explain the name of the piece, what group I was performing with, and the theater I was dancing in.
  3. Choose clips that are clear and showcase your best technique. I cannot stress this enough – but chose clips in a high resolution, where your form, face, and shape are discernible from the background/other dancers. You want to keep the clips short, and you don’t want the director taking each 5-15 second clip just to figure out where you are in the shot.
  4. Choose short clips. See above! You want to be distinguished from the rest of the shot, and you do not want the clips to be so long that the director or viewer become bored. You don’t need to showcase all 45 min of your favorite performance. Your favorite moment or moments will do just fine!
  5. Mute the audio on all video clips. You want to choose one audio track for the entire reel. Multiple audio tracks cutting in and out from clip to clip is distracting and looks unprofessional. Mute everything, and choose the right track to put over it!
  6. Choose engaging audio! You do not want to choose a very popular track (such as a song on the radio). Think of your reel and what fits best with what you are showcasing. Instrumentals are a great place to start for any type of reel. You want something dynamic and engaging, but not overpowering where it distracts from the footage. Also, keep songs appropriate. If your audio of choice does include lyrics, make sure it’s a clean track with no offensive lyrics.
  7. Transitions between clips should be simple. A classic “Cross fade” transition is very useful for reels. Its clean, and lets the videos flow organically into one another. Plus, almost every video editing software no matter how basic has this option. Keep the transitions consistent throughout the video if you can (use just one), and avoid any glaring transitions that distract from the clips.
  8. Keep your length short! The entire reel show not exceed three and a half (3.5) minutes. A five minute dance reel is just way too long for an individual. This is why it is good to make separate reels for separate jobs. Additionally, a choreographer or director will know how you move about a minute into your reel. Anything longer than 3.5 minutes they might not even look at.
PC: Dovitsky NYC
Bound” Borne Dance Company

Hopefully you found these tips helpful! As you create your reel, also make sure your personality shines through. You can choose text font styles, colors, etc. that you like. Just remember, keep those choices consistent throughout, and make sure they are not distracting from what is happening on screen. I will hopefully be finishing my new reel soon, and I will post the final version into a post on here once I am done.

Thank you for reading, and if you are taking this quarantine time to catch up on needed reel updates, I wish you well in your creations!

xoxo

May 2019 Life Update

WOW it’s been a minute since I posted on this account, and for that I am deeply apologetic. Life has been throwing me curve balls left and right, and I’ve been working and training a LOT in preparation for my summer.

Here are some of my recent activities, endeavors, and favorites for you all to see what I’ve been up to!

Orange Theory Fitness

A brand new Orange Theory Fitness opened very close to my home town. If you don’t know what Orange Theory is, it is a high intensity interval training (HIIT) fitness program. I’ve been curious about OTF for about a year now, and was SO SICK of my old gym membership. I have a membership at Crunch Fitness, and my schedule is so busy, I was barely using it. When I did go to the gym, I was so unmotivated to work out hard because it was late at night. I spend so much time preparing and teaching classes for clients and students, that the last thing I wanted to do at the end of the day was go to the gym and create an intense workout for myself to complete. In addition, the classes at my home gym are AWFUL.

For those reasons. I bought an OTF membership before they opened, and have been going for about a month now. I LOVE it. I plan on writing a whole post about Orange Theory and how I am running faster and rowing faster than I ever have before. This workout yields serious results. It’s fun, and because I spend a pretty penny on it, it forces me to go. I love working out in a group setting (that’s probably the dancer in me), so to be in a large group with everyone’s workout stats visible and updating in real time, it motivates me to work really hard. Another reason why I joined Orange Theory was to prepare my body for the intensity of my summer training. – see below for more on my summer dance training!

Pure Barre Training*

I am not sure if I mentioned this to you all, but the Xtend Barre I worked at closed very abruptly and permanently back in February. I was very upset because I just passed my test-out in October of 2018, and invested a lot of time and money into being a great barre instructor. I was reluctant, but a new owner bought our old space, and is turning it into a Pure Barre! He reached out to me, offered me a position, and I am being re-trained in Pure Barre method starting on Monday. I can’t wait! Pure Barre as a company has a much better corporate organization and structure, and the workout is very intense. It is also very different than Xtend Barre training. I miss teaching Xtend, but I am very excited for this new adventure.

*My opinion is not the opinion of Pure Barre, and does not reflect the opinions of the company. All opinions are my own*

Auditions

After a VERY stressful and somewhat awful audition back in April, I’ve been taking some time away from auditioning. I was auditioning at least once a week since January, and to be honest, I am feeling a bit burnt out. I don’t like when dance/performance becomes a source of an unhealthy amount of stress. That being said, I haven’t auditioned for anything in about a month. But in typical Julia fashion, I have an audition this Saturday evening for a company I am very interested in working with. I am looking forward to this audition because it is for concert, contemporary work instead of commercial work which is what I’ve been focusing on the last few months. Hopefully all goes well – I am looking forward to the opportunity.

Photo by Tim Lytvinenko

Summer Dance Training

As you all know, I am attending Joffrey Ballet School in Genoa, Italy this summer, and the Peridance Capezio BLUEPRINT summer intensive in NYC. I’ve been working full-time between all of my jobs to save and pay for my trips! I am currently looking to book my flight to Italy, and then I am basically all set to go! I can’t believe I’m going to live in Italy for two weeks, and then hop right on a plane back to NYC to train with some amazing choreographers and perform in a show! I am looking forward to all of my experiences this summer!

I will hopefully have more time to post as the recital season draws near, and my studio teaching comes to a close for the summer. Life is really busy right now, but I am excited to see what is in store for the rest of 2019!

How are your 2019 goals coming along? What are you working towards, and what are you doing every day to bring you closer to those goals?

Xoxo